PAUL BENNETT

Paul graduated from art school in 2001. He is originally from London, but now lives and works in the wild and inspiring Lake District, Cumbria.

 

Found in private and public collections worldwide, Paul’s main aim is to create work that is most definitely painted; an antidote to mass produced visuals consumed everyday. This is accomplished by using rich textures, multiple layers and brush/palette knife marks. Paul wants his paintings to tease out more than the eye can see, to draw people in and invite them to experience – not just consume – an image.

 

Paul Bennett specialises in contemporary seascape and landscapes paintings, abstract paintings and also contemporary portraiture paintings. The three styles are very different but all strive to generate a sense of intimacy and isolation while leaving the subject open to interpretation.

 

The seascape and landscape paintings created are inspired by memory and experience and are developed using artistic intuition. They are not tied into any specific region or time, they are an eclectic synthesis of place, weather and season.

 

Paul chooses to capture and communicate the experience this way as it reflects life with its unceasing process of observing, experiencing, interpreting, storing – and ultimately – reflecting. The result he strives for is a unique and original visual experience that has captured not only the sense of somewhere/sometime, but also the more subtle notion of recollection.

 

Occasionally Paul refers to photography as a starting point and as a way to engage with the surface and begin the initial mark making process. After this point it is all an abstract interpretation of the memories he has and places he has experienced. This is all brought together with constant experimentation. The paintings are continuously evolving with the process directly influencing the next work.

 

Oil paint is the medium that plays a big part in capturing the essence of a faded memory and lends itself nicely to the way he paints. It works well when applied thickly yet can create great depth when worked into the surface sparingly, leaving previous layers partially exposed. The paint is applied in this way to give the artwork itself a narrative and history, where the process of its creation can be glimpsed at in places – not dissimilar to the way in which the memory deals with the hazy recollection of a place once visited.

Paul's exhibition 'The Light and the Darkness: Seascape and Landscape Paintings' opens on 30 March.

Tighnabruaich Gallery, Seaside House, Tighnabruaich, Argyll, PA21 2DR

01700811681              info@tiggallery.com

                          

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